Eleven still matters for the Lapérouse Museum

My particular interest in 17th-century Dutch painting, whether it be the pictorial materiality of the deep ochre and gray backgrounds of still lifes or the rigorous construction of interior scenes, has made me a photographer who is heir to a style of painting that, lacking noble and sublime motifs, draws on a perception of everyday life.

My photographic compositions are part of this ever-evolving history of still matter. A still life that mirrors everyday reality, illustrated in a humanistic or spiritual way, reflecting on the harmony of nature, but always echoing the intimate. A cabinet of curiosities composed of simple objects, both natural and manufactured.

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